“As Rosmira, mezzo-soprano Daniela Mack delivered a superb follow-up to her star turn in last season’s ‘Barber of Seville,’ delivering athletic, perfectly tuned coloratura and letting the audience feel viscerally the depth of the character’s ardor and pain.”
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“Carmen’s Seguidilla in the first act has in recent times become the vehicle for the singer to convey a maximum of sensuality. Daniela Mack matches a bounty of rounded curves with her sultry mezzo voice, dark enough to be rebellious yet bright enough to keep the character constantly intriguing. One can easily believe her seducing Don Jose into abandoning all sense of duty. No one will be able to claim this isn’t the ‘real Carmen’ in either voice or appearance.”
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“Thursday’s cast also featured the terrific Rosina of mezzo-soprano Daniela Mack. Her appearance was not a company debut, but it might as well have been, given how thoroughly her artistry has blossomed since her days as an Adler Fellow. She sang with an irresistible combination of tonal luster and bravado, bringing energy and charm to her coloratura passages and delicate wit to her characterization.“
More“Argentinian Daniela Mack might have scored highest on points: a purringly elegant BMW of a singer, with perfect legato in Gounod’s “O ma lyre”…I would deem her the finished article.“
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“Argentina’s Daniela Mack, whose Rossini in the final and Gluck in the heats (again seen on TV) revealed a virtuoso technique second to none.“
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“Mezzo Daniela Mack and tenor Alek Shrader brought admirable technique and sparkling personality to scenes from Rossini’s La Cenerentola and (joined by Belcher) Barbiere. Mack’s solo turn, “Pensa alla patria” from L’italiana in Algeri, showcased the singer’s burnished tone, evenly produced from top to bottom.“
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“Daniela Mack’s feisty Sesto gave a rounded portrayal of the proud young avenger.“
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“ENO débutante Daniela Mack made a fine Sesto, gracefully sung and expressive with a radiant quality to her mezzo-soprano voice…“
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“Daniela Mack boasted a lyrically appropriate instrument for the title role, with a goodly bit of heft in mid-range and an incisive gleam above the staff. Mack made a dazzling thing of the final rondo.“
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“As the title character, mezzo-soprano Daniela Mack is simply dazzling, her beautiful voice, strong projection, and confident vocal pyrotechnics providing an anchor for the performance.“
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