La mezzosoprano argentina se meterá en la piel de Sesto, mientras que el tenor estadounidense encarnará al emperador El matrimonio formado por Daniela Mack y Alek Shrader interpreta dos de los roles de ‘La clemenza di Tito’
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“Daniela Mack’s vocals are lovely, but her acting is even better as she plays Rosina as not quite the virginal waif we might think her to be, what with having a guardian. She is randy and embraces a ‘partner in crime” persona with Almaviva, but for a short time when she thinks he might have betrayed her.”
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“Daniela Mack was a fresh, feisty, flawless Rosina, with a voice that sounded utterly alive. Mack had perfect control of her flexible lyric mezzo-soprano from top to bottom, showcased from her first entrance in the deliciously surprising ornamentation of her stunning “Una voce poco fa.” Mack’s flair for comedy and turn-on-a-dime expression top off a constellation of elements that make her ideal for this role.”
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“Mezzo Daniela Mack has by far the fullest operatic voice in this ensemble, along with a powerful dramatic presence…she looks to me like an operatic star on the rise.”
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“As Rosina, Daniela Mack is a marvel, shining in her first solo number, the cavatina, “Una voce poco fa” (“A voice a little while ago”) and later bringing down the house with the stunning aria in Act II, “Contro un cor”. She also has a real gift for comedy, as she masterfully combines an innocent sexuality with an expressive face as she defies her oppressive and lecherous ward.”
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“The ‘beauty’ is mezzo-soprano Daniela Mack, as Rosina, who delivers a triumphant Una Voce Poco Fa, as Rossini wrote it, in the original key! We know everything we need to know from that aria: She can be sweet if she wants, but do not cross her or you will feel her wrath. Her gorgeous top notes are surpassed only by her astonishing, comic low notes.”
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“Vocally, Friday’s opening performance belonged to mezzo-soprano Daniela Mack. Making her company debut, Mack’s Rosina was a compelling, noble force of nature. Her tone was supple and technical command excellent, with Rossini’s coloratura flourishes (especially in ‘Une poco voce fa’ and “Contro un cor che accende amore”) firmly projected and precisely sung.”
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“The excellent mezzo-soprano Daniela Mack initiated the section beautifully. Mack’s timbre is pungent and juicy, like a deep-purple plum, and her handling of text was exemplary.”
More“Daniela Mack brought a lustrous mezzo-soprano and focused expression to her solos in the ‘Recordare’ and elsewhere.”
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